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Diana Behl + Andrew Kosten
4/14/2013

Stay tuned! Diana Behl + Andrew Kosten together at IPSO Gallery in Sioux Falls, August 2014


In case you missed it...
3/18/2013

Shannon Frewaldt's and my exhibition at the SD Art Museum in Brookings closed this past weekend but you can still view the exhibition online here!


Visiting Artist at the University of South Dakota
2/2/2013

February 25th - March 1st, 2013
Public Lecture Wednesday, February 27th / 2pm


Print 528.0
1/12/2013



A Regional Juried Exhibit of Contemporary Fine Art Print
Presented by the Invisible Museum and RedLine

Exhibition Dates: February 1 - 24, 2013
Reception:
Friday, February 1, 6-9 pm

Jurors include: Yvar Zeile, Director of Plus Gallery in Denver; Mark Mazuoka, former Director of the Bemis Center for Contemporary Art in Omaha; Jill Dawsey, Curator at the San Diego Art Museum (formerly head curator of the Utah Museum of Art); Barbara O’Brien, Chief Curator and Director of the Kemper Museum of Contemporary Art in Kansas City; Shaurya Kumar, faculty member of the Art Institute in Chicago, formerly at NMU in Albuquerque and Viviane Le Courtois, Denver artist/printmaker, as the selectee of RedLine.

RedLine
2350 Arapahoe Street
Denver, CO 80205



Tilting at Windmills
11/15/2012



curated by Dustin M. Price

Friday, Dec. 7th, 2012 – Tuesday, Jan. 22nd, 2013
Porter Butts Gallery / University of Wisconsin
Madison, WI 53715


Diana Behl + Shannon Frewaldt
9/16/2012

A

A two-person exhibition at the SD Art Museum

November 6th, 2012 - March 17th, 2013
Reception: Friday, November 16th 4:30-7pm

SD Art Museum
936 Medary Avenue
Brookings, SD 57007



Washington Pavilion Juried Exhibition
8/16/2012



September 14th-December 2nd, 2012
Opening Reception Saturday, September 15th / 5:30-7:30pm

Washington Pavilion
Visual Arts Center / Everist Gallery
301 S. Main Ave.
Sioux Falls, SD

+ + +
out there
Intaglio, 11.75" x 15"


Midwest Multiples
7/26/2012

August 2nd - 30th, 2012

Nemeth Art Center
301 Court Avenue
P.O. Box 328
Park Rapids, MN 56470


Tiny Universe
6/5/2012

(imaginary story) untitled seven march
Tiny Universe

curated by Elliot Walters
June 20th-August 3rd, 2012

included works:
top: imaginary story (seven)
graphite + collage on paper
bottom: march
mixed media + collage on panel

Gallery 307
Lamar Dodd School of Art
The University of Georgia Campus
270 River Road
Athens, Georgia 30601
706.542.0069



Stand Out Prints 2012
1/24/2012

Stand Out Prints
February 24th-April 14th, 2012
Opening Reception Feb. 24th / 6:30-9pm

Highpoint Center for Printmaking
912 West Lake Street
Minneapolis, MN 55408

Juried by Susant Inglett, Director, I.C. Editions, Inc. and The Editions | Artists Book Fair

and 

Mark Pascale, Curator in the Department of Prints and Drawings at The Art Institute of Chicago



American Impressions
1/12/2012

American Impressions 2012: National Juried Printmaking and Book Art Exhibition

William Patterson University Galleries / South Gallery
Wayne, NJ
January 30 – March 9, 2012

"An insightful selection of contemporary prints and artists’ books from across the U.S. juried by Elizabeth F. Spungen, Executive Director of The Print Center in Philadelphia, PA."


Beyond Printmaking
12/16/2011

Beyond Printmaking
Texas Tech School of Art
Landmark Arts
Lubbock, TX
February 4 - March 4, 2012

Melanie Yazzie, Juror

"Beyond Printmaking is an art competition and exhibition organized by the Landmark Arts and the printmaking area in the Texas Tech University School of Art.

As technology is changing ever more rapidly, many contemporary artists who originally started with printmaking as their primary medium are using interdisciplinary approaches to embrace the needs of time. Contemporary artists find ways to create visually captivating and socially or politically engaging discourses through interdisciplinary approaches.

As much as printmaking has been loved for its traditional resonance, its versatility applied in multimedia does not see limitations. In this third exhibition, we are looking for artists who have a vision of printmaking beyond the traditional practices, who push the technological and conceptual limits of what is considered printmaking."